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PROGRAM

THURSDAY, APRIL 10, 2014

8:00 – 8:40 am: Registration and Breakfast

8:40 – 8:45 am: Welcome

Michael X. Delli Carpini, Dean, ASC

8:45 – 9:00 am: Symposium Introduction

Marwan M. Kraidy, Director, PARGC

9:00 – 10:30 am: Music, Memory, Contention

 

Yakein Abdelmagid: Ordinary Art, Ordinary Politics:The Compositions, Mediations and Circulations of theChoir Project in Egypt

Omar Al-Ghazzi: Haunted by Anticolonial Memories: Omar al-Mukhtar in the Libyan 2011 Uprising

Nouri Gana: Venting Still: Tunisian Rap Music before and after the Revolution

Shayna Silverstein: Creative Flow: Music, Genre and Mobility in the Syrian Revolutionary Public Sphere

 

Chair: William Lafi Youmans

10:30 – 10:45 am: Break

10:45 am – 12:15 pm: Power, Performance, Violence

 

Walter Armbrust: Beards and Uniforms: Political Bricolage and the Egyptian Revolution

Tarek El-Ariss: The Dark Side of the Arab Spring: Literature, Violence, and the Virtual

Leila Tayeb: Shahi Al-Huriya: Militant Optimism and Freedom Tea

Edward Ziter: Syria’s Anecdotal Theatre

 

Chair: Christa Salamandra

12:15 – 1:15 pm: Lunch

1:15 – 2:45 pm: Images, Inscription, Space

 

Anahi Alviso-Marino: Contentious Politics and Collective Action through Street Art in Yemen (2011-2013)

Nour Halabi: Hezbollah Logos and their Parodies: A Study of Cultural Production and Carnivalesque Humor in Revolutionary Times

Adel Iskandar: The Politics of Memes: Irreverence, Intertextuality, and Irony in Revolutionary Egypt

Amal Khalaf: Reclaiming Bahrain

 

Chair: John Downing

2:45 – 3:00 pm: Break

3:00 – 4:15 pm: Memes, Screens, Networks

 

Donatella Della Rata: Memes and the Politics of Cultural (Re)Production in Syria’s Uprising

Marc Owen Jones: Satire, Social Media and Revolutionary Cultural Production in the Bahrain Uprising: From a Genre of Utopian Fiction to Political Satire

Jakob Skovgaard-Petersen: Media Controversies and the Cultural Policies of the Morsi Government

 

Chair: Guobin Yang

4:15 – 5:15 pm: Concluding Discussion

5:30 – 7:00 pm: Closing Reception

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